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The show is repeated on Wednesdays at 22:00, Fridays at 20:00). UK Blues Broadcaster of the Year (20 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. This show was first broadcast on 19 December 2021 and celebrates The Best of 2021 based on the GRTR! reviewer selections and popular poll results. The latest Josh Taerk live session was streamed on Sunday 12 December.ĭavid Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. And even if you don’t always like what you hear, there’s plenty that you will. Church is pitching at a lot of targets here, and is bound to miss a few, but it’s unarguably an album that makes you listen.
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“The Outsiders”, the album will split opinions. Adding one minute to Church’s new sonic signature. The other is an extended version of the title track. Church’s screwed down vocal, sitting in behind clattering rhythms, swings from a deep throated growl to a painful shout on his cover the Fab Four’s ‘Come Together’. This extended reissue of the album comes with two bonus tracks. Those afore mentioned outriders – the title track and ‘Devil Devil’ would devour much of Side C. Both songs mine traditional country tropes, bars, beer, women and cars. Side C’s foundation tracks would be ‘Cold One’ and ‘Talladega’ – the subject matter is almost self explanatory. The perfect marriage of poppified stadium rock and lived in experience (which is the essence of country music, right?) Two arena rock songs that carry an emotional weight. ‘Broke Record’ and ‘Roller Coaster Ride’ would kick of Side B. Once upon a time in Tennessee an album like this would’ve been a double vinyl, with each side allocated a separate subject matter and style.Īt a minimum, side A would be allocated to ‘Damn Rock’n'Roll’ and ‘Darkside’, two rolling thunderclouds of redemption and spent emotions, looking for a safe place to land, but not finding one.
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And lyrically, they crack a whip of outlaw defiance in the face of Nashville’s ultra conservative stance, an almost mythical town now, which seems eternally impervious to outside influences. These are songs that separately and collectively drill down into stratas of hard rock and metal that other country music artists wouldn’t touch with a bargepole. Snakefarm Records Ĭhurch’s edgy, non conformist image smacks of authenticity, and when you hear songs like ‘The Outsider’ and ‘Devil Devil’ you wonder how long his love affair with the genre’s conventions will last. Share the post "Album review: ERIC CHURCH – The Outsiders"